Digitale camera's

Camera kopen informeer hier naar uw laagste prijs en de levertijd

bel voor info 0900 65 43 211 toestel 2469

 

Laatste nieuws over de stof problemen bij Nikon en Canon,Olympus E-500 oplossing zie hier

 

 
  E-500  
   
 
     
8.0 million pixels with FFT CCD
6.4cm/2.5” HyperCrystal LCD
Supersonic Wave Filter for dust
    protection
Light and compact penta type design
AUTO / M / P / S / A & 20 scene
    programme
Dual slot for CF and xD-Picture Cards
Built-in pop-up flash 
User-friendly menu with detailed and
    simplified display modes
  Best performance D-SLR camera in a very compact and lightweight design with integrated flash for ease of use which meets all photographic requirements.

 

The eight million pixels Olympus E-500 digital SLR is a creative photographer’s dream with a full complement of manual settings plus the user-friendly simplified and detailed display. It incorporates a CF as well as an XD card slot. The ergonomic, professionally approved layout of the controls, usability is also enhanced by the high resolution 6.4cm/2.5” HyperCrystal LCD, which allows results to be viewed in a large format directly on the camera.

 





 

         
 


 

 


 

 

 

 

Sony Cyber-shot DSC-R1 Preview,
 


Preview based on a pre-production Cyber-shot DSC-R1

In August 2003 Sony revealed the latest in a long line of split body swivel design prosumer digital cameras, the eight megapixel DSC-F828. Two long years have passed and it's time for the new Sony prosumer digital camera; the unique and radical Cyber-shot DSC-R1. The R1 drops the split body design of its predecessors in favor of an SLR-like fixed body which is remarkably similar to that of the then ground-breaking and some consider legendary DSC-D700.

However it's not the body design which makes this camera unique (many have copied the DSC-D700), it is the camera's sensor and lens. This is the first all-in-one digital camera to utilize a large (APS size) sensor, to be precise a 10.3 megapixel CMOS unit measuring 21.5 x 14.4 mm which is essentially a slightly smaller version of the sensor used in the Nikon D2X. It's also the first APS size sensor to provide full time live preview to the camera's LCD monitor or EVF (electronic viewfinder). This means that there's no mirror box or prism making the camera more compact and allowing the lens to be positioned much closer to the sensor. Equally as important and interesting is the lens which provides a 24 - 120 mm (equivalent) five times zoom with a maximum aperture of F2.8 - F4.8.

What makes the DSC-R1 unique

  • First non-SLR camera to feature a large format sensor (APS size)
  • First use of a CMOS sensor in a non-removable-lens digital camera
  • First large format sensor to provide full-time live preview
  • Widest range of ISO sensitivity for a non-SLR camera; ISO 160 - 3200
  • First digital camera to provide a top-mounted LCD screen
  • First Sony digital camera to support Adobe RGB
  • First implementation of 'Auto Gamma Control' on a Sony digital camera

Sony's "flagship" prosumer line

As I've already mentioned the DSC-R1's body design is very reminiscent of the DSC-D700, a 1.5 megapixel SLR-like digital camera introduced in May 1999. Around six years ago the DSC-D700 would have cost you $1,699, today Sony are pitching the DSC-R1 at the $999 price point.

Advantages of a larger sensor

As noted above the DSC-R1 utilizes an APS size CMOS sensor which is considerably larger than that used in previous compact / prosumer digital cameras. The DSC-F828 for example had a 2/3" CCD which had effective capture area of 8.8 x 6.6 mm, the DSC-R1's sensor is approximately 2.4x wider and 2.2x taller. This larger sensor facilitates larger photosite's, the F828 had a 2.7 ΅m pixel pitch, the DSC-R1 has a 5.49 ΅m pixel pitch (and hence has lower lens resolution requirements).

Key technical advantages of the large CMOS sensor (supplied by Sony)

  • Five times the sensitivity compared to the DSC-F828
  • 2.5 times the dynamic range compared to the DSC-F828
  • No smear effect
  • Simpler imaging system for live view
  • Lower power consumption (200 mW vs. 750 mW)

Sony DSC-R1 vs. DSC-F828 specification differences

 
Sony DSC-R1
 
Sensor • 21.5 x 14.4 mm CMOS
•
10.3 million effective pixels
• RGB color filter array
• 5.49 ΅m pixel pitch
• 3:2 aspect ratio
 
Lens • 24 - 120 mm equiv. (5x zoom)
• F2.8 - F4.8
• Carl Zeiss T*
• Mechanical linked zoom
• 67 mm thread
Image sizes • 3888 x 2592
• 3264 x 2176
• 2748 x 1856
• 2160 x 1440
• 1296 x 864
Image formats • RAW (.SR2)
• JPEG
AF Illumination Orange lamp
ISO sensitivity • Auto ISO
• ISO 160
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
• ISO 3200
Aperture range • Wide: F2.8 - F16
• Tele: F4.8 - F16
Continuous 3 fps, up to 3 images
Color space • sRGB
• Adobe RGB
Image parameters • Color mode: Std, Vivid, Adobe RGB
• Saturation: -, 0, +
• Contrast: -, 0, +, AGCS
• Sharpness: -, 0, +
WB Fine Tune Yes, +/-3 levels
Movies None
Flash compensation • +/- 2 EV
• 0.3 EV steps
Flash sync • Front
• Rear
Electronic viewfinder 235,000 pixels
LCD monitor • 2.0"
• ???,000 pixels
• Top mounted, flip-up and twist
Grid line display Yes (option)
Zebra display Yes (option)
Weight (inc. batt) 995 g (2.2 lb)
Dimensions 139 x 168 x 97 mm
(5.5 x 6.6 x 3.8 in)
   
Swivel body No
Play mode Shooting priority via button
Control dials • Thumb dial
• Rear control wheel
ISO button Top of camera
WB button Left of camera
Power save option Yes  


I

Conclusion / Recommendation / Ratings are based on the opinion of the reviewer, you should read the ENTIRE review before coming to your own conclusions.

Images which can be viewed at a larger size have a small magnifying glass icon in the bottom right corner of the image, clicking on the image will display a larger (typically VGA) image in a new window.

To navigate the review simply use the next / previous page buttons, to jump to a particular section either pick the section from the drop down or select it from the navigation bar at the top.

DPReview calibrate their monitors using Color Vision OptiCal at the (fairly well accepted) PC normal gamma 2.2, this means that on our monitors we can make out the difference between all of the (computer generated) grayscale blocks below. We recommend to make the most of this review you should be able to see the difference (at least) between X,Y and Z and ideally A,B and C.

Wi-Fi standaard ingebouwd.

Amsterdam, 1 september 2005. Nikon toont wederom zijn leidinggevende positie
op de fotografiemarkt aan met de introductie van de eerste digitale
compactcamera's met ingebouwde ondersteuning voor Wi-Fi, de Nikon COOLPIX P1
en P2.

Draadloos fotograferen, een must have. De COOLPIX P1 en P2 (de P1 is
leverbaar in zilver en zwart) geven de fotograaf de vrijheid om overal te
kunnen fotograferen, direct af te kunnen drukken, en beelden naar de PC over
te zetten, en dat alles geheel draadloos en met ongelooflijke snelheid.

De nieuwste telgen uit de succesvolle COOLPIX-serie digitale camera's zijn
bedoeld voor gebruikers die de allerlaatste stand op het gebied van
cameratechnologie willen toevoegen aan hun portfolio van draadloze
apparatuur. De COOLPIX P1 en P2 werken naadloos samen met een Wi-Fi omgeving
in bijvoorbeeld de thuisomgeving, en maken het overspelen van foto's naar
een computer of printer uiterst eenvoudig, zonder daarbij afhankelijk te
zijn van kabels.

De COOLPIX P1 heeft maar liefst 8 Megapixels, de P2 biedt 5,1 Megapixels.
Beide camera's hebben een Zoom-Nikkor objectief met 3,5x optische zoom en
een grote 2,5 inch LCD-monitor voor gemakkelijk opnemen en afspelen. De
camera's zijn direct na het aanzetten klaar voor gebruik, kunnen met 2,5
beelden per seconde continu fotograferen en zijn voorzien van elektronische
Vibratie Reductie (VR) bij het opnemen van VGA-kwaliteit films met 30
beelden per seconde.

Naast de opwindende mogelijkheden die Wi-Fi biedt, hebben de camera's
diafragmavoorkeuze voor meer handmatige controle over het resultaat. Met
diafragmavoorkeuze kan de fotograaf spelen met de scherptediepte, zodat de
mate van onscherpte vσσr en achter het hoofdonderwerp geregeld kan worden.
En uiteraard ontbreken ook de exclusieve ingebouwde Nikon functies niet,
waaronder autofocus met gezichtprioriteit, D-Lighting en rode-ogencorrectie
in de camera. Uitstekende foto's maken is hiermee wel heel eenvoudig
geworden.

D-Lighting zorgt voor een optimaal contrast en hoge detaillering in de foto,
door onderbelichte delen te corrigeren zonder de juist belichte delen van
het beeld aan te tasten.

Gezichtsherkenning: de functie gezichtprioriteit-AF wendt geavanceerde
technieken aan om automatisch gezichten in de foto te herkennen, zodat er
elke keer weer juist wordt scherpgesteld en de resultaten optimaal zijn.

De geavanceerde rode-ogencorrectie in de camera herkent automatisch de
storende rode ogen die soms optreden bij flitsfotografie, en corrigeert deze
direct, zodat de resultaten er prettig en natuurlijk uit zien.

Met een Nikon EN-EL8 oplaadbare Li-ion batterij, meegeleverd bij beide
modellen, kan de P1 tot circa 180 opnamen maken, en de P2 tot circa 190.

Martina Beckman, Manager Communications & Marketing bij Nikon Europe zegt:
"Wij leven in een wereld waarin draadloos steeds verder zijn intrede doet,
en wij zijn er trots op dat Nikon het voortouw trekt bij de Wi-Fi revolutie
binnen de digitale fotografie met de introductie van deze vooruitstrevende
COOLPIX P1 en P2 modellen."


Verwachte verkoopstart
Oktober 2005.

 

 
 
  De Nikon D200 is een professionele digitale spiegelreflexcamera en wordt gepositioneerd als tegenhanger van de Canon 5D. De Nikon D200 zal de beschikking krijgen over 12,4 effectieve megapixels die in gevoeligheid kunnen variλren tussen ISO 100 en ISO 800. De camera zal in staat zijn om drie foto’s te schieten per seconde op volledige resolutie en vijf foto’s per seconde op halve resolutie. De Canon 5D kan eveneens drie foto’s per seconde vastleggen en heeft ruwweg dezelfde resolutie met 12,8 megapixels. Wanneer de Nikon D200 precies geοntroduceerd zal worden is nog onbekend. Er wordt gesproken over een introductie in  november.2005


 

Nikon D200


 

 

 

 

Canon EOS 5D Preview, August 2005

Canon's press material for the EOS 5D states that it 'defines (a) new D-SLR category', while we're not typically too concerned with marketing talk this particular statement is clearly pretty accurate. The EOS 5D is unlike any previous digital SLR in that it combines a full-frame (35 mm sized) high resolution sensor (12.8 megapixels) with a relatively compact body (slightly larger than the EOS 20D, although in your hand it feels noticeably 'chunkier'). The EOS 5D is aimed to slot in between the EOS 20D and the EOS-1D professional digital SLR's, an important difference when compared to the later is that the EOS 5D doesn't have any environmental seals. While Canon don't specifically refer to the EOS 5D as a 'professional' digital SLR it will have obvious appeal to professionals who want a high quality digital SLR in a body lighter than the EOS-1D. It will also no doubt appeal to current EOS 20D owners (although lets hope they've not bought too many EF-S lenses...)

Canon EOS 5D vs. EOS 20D feature and specification differences

 
Canon EOS 5D

Canon EOS 20D
Sensor • 35.8 x 23.9 mm CMOS
• 12.8 million effective pixels
• No FOV crop (1.0x)
• 22.5 x 15.0 mm CMOS
• 8.2 million effective pixels
• 1.6x FOV crop
Image sizes • 4368 x 2912
• 3168 x 2112
• 2496 x 1664
• 3504 x 2336
• 2544 x 1696
• 1728 x 1152
Lens support Canon EF lens mount (not EF-S) Canon EF lens mount (EF and EF-S)
Auto focus • 9-point TTL
• 6 "invisible assist AF points" *
• -0.5 to 18 EV working range
* Within the spot metering circle
• 9-point TTL
• -0.5 to 18 EV working range
 
AF assist No Yes
Metering modes • Evaluative 35 zone
• Partial (8% at center)
• Spot (3.5% at center)
• Center-weighted average
• 1.0 to 20 EV metering range
• Evaluative 35 zone
• Partial (9% at center)
• Center-weighted average
• 1.0 to 20 EV metering range
Flash X-sync 1/200 sec 1/250 sec
Image parameters "Picture Style"
• Standard
• Portrait
• Landscape
• Neutral
• Faithful
• Monochrome
• User 1
• User 2
• User 3
 
• Parameter 1
• Parameter 2
• User 1
• User 2
• User 3
• B&W
Custom image parameters • Sharpness: 0 to 7
• Contrast: -4 to +4
• Saturation: -4 to +4
• Color tone: -4 to +4
• B&W filter: N, Ye, Or, R, G
• B&W tone: N, S, B, P, G
• Sharpness: -2 to +2
• Contrast: -2 to +2
• Saturation: -2 to +2
• Color tone: -2 to +2
• B&W filter: N, Ye, Or, R, G
• B&W tone: N, S, B, P, G
Viewfinder • 96% frame coverage
• 0.71x magnification
• 95% frame coverage
• 0.9x magnification
LCD monitor • 2.5" TFT LCD (wide viewing angle)
• 230,000 pixels
• 1.8" TFT LCD (wide viewing angle)
• 118,000 pixels
Shutter release Soft touch Soft half-press then click shutter release
Histogram • Luminance
• RGB
Luminance
Built-in flash None Electronic pop-up
Shooting modes • Auto
• Program AE (P)
• Shutter priority AE (Tv)
• Aperture priority AE (Av)
• Manual (M)
• Custom
• Auto
• Program AE (P)
• Shutter priority AE (Tv)
• Aperture priority AE (Av)
• Manual (M)
• Auto depth-of-field
• Portrait
• Landscape
• Close-up
• Sports
• Night portrait
• Flash off
Continuous speed 3 frames per second 5 frames per second
Continuous buffer Up to 60 JPEG or 17 RAW frames Up to 23 JPEG or 6 RAW frames
Playback jump • 10 images
• 100 images
• By date
• By folder
10 images
Menu languages 15 languages 12 languages
Custom functions 21 custom functions with 57 settings 18 custom functions with 50 settings
Portrait grip Optional BG-E4 battery grip Optional BG-E2 battery grip
Dimensions 152 x 113 x 75 mm (6.0 x 4.4 x 2.9 in) 144 x 106 x 72 mm (5.6 x 4.2 x 2.8 in)
Weight • No battery: 810 g (1.8 lb)
• With battery: 895 g (2.0 lb)
• No battery: 685 g (1.5 lb)
• With battery: 770 g (1.7 lb)

Full frame

By 'full frame' we mean that the EOS 5D's sensor is (virtually) the same size as a 35 mm negative, this means that lenses used on the camera will produce the exact same field of view as they would on a 35 mm film camera (as they were designed). This is especially advantageous when shooting wide angle as we will get a much wider field of view than we would on a digital SLR which 'crops' (such a the EOS 20D). The diagram below demonstrates the difference in field of view between the EOS 5D and the EOS 20D using the same lens with a focal length of 17 mm. The EOS 20D would only be able to capture a portion of the center of the field of view produced by the lens, the EOS 5D captures the entire view.

 


 
Canon PowerShot SD400 (8/11/2005) Kodak Z740 (8/4/2005) Nikon D50 (7/23/2005)
Canon PowerShot SD400
8/11/2005
Kodak Z740
8/4/2005
Nikon D50
7/23/2005
Panasonic DMC-FZ30 (7/20/2005) Sony DSC-H1 (7/5/2005)  
Panasonic DMC-FZ30 [PREVIEW]
7/20/2005
Sony DSC-H1
7/5/2005
 
Canon PowerShot S2 IS (6/21/2005) Casio Exilim EX-Z750 (6/10/2005) Nikon D2X (6/1/2005)
Canon PowerShot S2 IS
6/21/2005
Casio Exilim EX-Z750
6/10/2005
Nikon D2X
6/1/2005
Samsung Digimax V700 (5/24/2005) Sony DSC-S90 (5/18/2005) Fujifilm FinePix F10 Zoom (5/9/2005)
Samsung Digimax V700
5/24/2005
Sony DSC-S90
5/18/2005
Fujifilm FinePix F10 Zoom
5/9/2005
Nikon Coolpix 7900 (4/26/2005) Panasonic DMC-LZ2 (4/21/2005) Canon PowerShot SD500 (4/15/2005)
Nikon Coolpix 7900
4/26/2005
Panasonic DMC-LZ2
4/21/2005
Canon PowerShot SD500
4/15/2005
Panasonic DMC-FZ5 (4/8/2005) Canon EOS 350D / Digital Rebel XT (4/6/2005) Canon PowerShot A510 (4/4/2005)
Panasonic DMC-FZ5
4/8/2005
Canon EOS 350D / Digital Rebel XT
4/6/2005
Canon PowerShot A510
4/4/2005
Canon PowerShot A520 (3/31/2005) Pentax *ist DS (3/31/2005) Konica Minolta DiMAGE Z5 (3/24/2005)
Canon PowerShot A520
3/31/2005
Pentax *ist DS
3/31/2005
Konica Minolta DiMAGE Z5
3/24/2005
Fujifilm FinePix S3 Pro (3/16/2005) Olympus Stylus Verve Digital (2/24/2005) Nikon D2Hs (2/16/2005)
Fujifilm FinePix S3 Pro
3/16/2005
Olympus Stylus Verve Digital
2/24/2005
Nikon D2Hs [PREVIEW]
2/16/2005
Sony DSC-L1 (2/7/2005) Konica Minolta DiMAGE A200 (2/2/2005) Konica Minolta Maxxum 7D (1/17/2005)
Sony DSC-L1
2/7/2005
Konica Minolta DiMAGE A200
2/2/2005
Konica Minolta Maxxum 7D
1/17/2005
Fujifilm FinePix S5100 Zoom (1/13/2005) Olympus E-300 (1/10/2005) Nikon Coolpix 8400 (1/4/2005)
Fujifilm FinePix S5100 Zoom
1/13/2005
Olympus E-300
1/10/2005
Nikon Coolpix 8400
1/4/2005
Nikon Coolpix 8800 (1/4/2005) Epson P-2000 (12/23/2004) Pentax Optio S5i (12/20/2004)
Nikon Coolpix 8800
1/4/2005
Epson P-2000
12/23/2004
Pentax Optio S5i
12/20/2004
Panasonic DMC-FX7 (12/9/2004) Canon PowerShot G6 (12/2/2004) Casio Exilim EX-P700 (12/2/2004)
Panasonic DMC-FX7
12/9/2004
Canon PowerShot G6
12/2/2004
Casio Exilim EX-P700
12/2/2004
Olympus C-7000 Zoom (12/2/2004) Pentax Optio 750Z (12/2/2004) Sony DSC-V3 (12/2/2004)
Olympus C-7000 Zoom
12/2/2004
Pentax Optio 750Z
12/2/2004
Sony DSC-V3
12/2/2004
Canon PowerShot SD300 (11/24/2004) Kodak DX7590 (11/19/2004)  
Canon PowerShot SD300
11/24/2004
Kodak DX7590
11/19/2004
 
Nikon Coolpix 4800 (11/10/2004) Panasonic DMC-FZ20 (11/4/2004) Canon EOS 20D (11/3/2004)
Nikon Coolpix 4800
11/10/2004
Panasonic DMC-FZ20
11/4/2004
Canon EOS 20D
11/3/2004
Canon PowerShot S70 (10/27/2004) Fujifilm FinePix E550 Zoom (10/22/2004) Fujifilm FinePix F810 Zoom (10/13/2004)
Canon PowerShot S70
10/27/2004
Fujifilm FinePix E550 Zoom
10/22/2004
Fujifilm FinePix F810 Zoom
10/13/2004
Sony DSC-P150 (9/23/2004) Canon EOS-1Ds Mark II (9/21/2004) Canon PowerShot A95 (9/17/2004)
Sony DSC-P150
9/23/2004
Canon EOS-1Ds Mark II [PREVIEW]
9/21/2004
Canon PowerShot A95
9/17/2004
Panasonic DMC-FZ3 (9/14/2004) Konica Minolta DiMAGE Z2 (9/9/2004)  
Panasonic DMC-FZ3
9/14/2004
Konica Minolta DiMAGE Z2
9/9/2004
DxO Optics Pro 1.1
9/8/2004
Nikon Coolpix 5200 (8/26/2004) Sony DSC-F88 (8/26/2004) Canon PowerShot S1 IS (8/13/2004)
Nikon Coolpix 5200
8/26/2004
Sony DSC-F88
8/26/2004
Canon PowerShot S1 IS
8/13/2004
Canon PowerShot S60 (8/13/2004) HP Photosmart R707 (8/13/2004)
Canon PowerShot S60
8/13/2004
HP Photosmart R707
8/13/2004

 


 
 


 

 

 

Fujifilm FinePix S9000 / S9500 Zoom
15-8- 2005  08:20 GMT    
Fujifilm has today announced what it sees as competition to entry level DSLRs with the 9 million pixel FinePix S9000 Zoom (US) S9500 Zoom (Europe). It features a 10.7x optical zoom (28-300mm) (with no image stabilization), ISO from 80 to 1600, twist-barrel zoom control, a tiltable 1.8-inch LCD, plus a 640 x 480 movie mode. Fujifilm sees the S9000 Zoom as the point where compact and DSLRs meet as it offers the resolution and control of an SLR, while at the same time offering functions associated with a compact camera. Other features include a real time histogram, xD-Picture Card, CompactFlash and Microdrive compatibility, hotshoe and RAW format. The S9000 Zoom will be available in August at a priced to be confirmed.
  • European name: Fujifilm FinePix S9500 Zoom

Jump to:

Press Release:

Fujifilm FinePix S9000 Zoom: DSLR approach, with a flexible attitude

Fujifilm FinePix S9000 Zoom

Fujifilm’s new ‘bridge’ camera marries high end image quality with a lens so good, you’ll be glad it’s not removable

Fujifilm today announces the launch of the FinePix S9000 Zoom, a new model that marks the point where compact digital cameras and digital SLRs meet. Aimed at amateur and enthusiast photographers, the FinePix S9000 Zoom features resolution good enough to challenge entry-level digital SLRs. It combines this with a range of features that enable a level of photographic flexibility more often associated with compact digital cameras.

The FinePix S9000 Zoom features Fujifilm’s brand new 5th generation Super CCD sensor, and offers an image size of nine megapixels. Recognising that image quality is determined by more than just pixel count, the inclusion of Fujifilm’s Real Photo Technology gives the FinePix S9000 Zoom a true advantage. It has a class-leading sensitivity range of ISO 80 - ISO 1600, which reduces the need for reliance on image stabilisation. The ISO range means that sharp, focused images can be achieved in all light conditions – from bright sunny days to night-time shots – without the use of a flash. Fast shutter speeds not only lessen the effect of blurring from camera shake, but subject movement, too.

The camera incorporates a 28-300mm (equivalent on a 35mm camera) Fujinon zoom lens with twist-barrel zoom control. This is a zoom range that encompasses all the major focal lengths, and the manual zoom control enables the photographer to make precision adjustments. Furthermore, because the lens and body on the FinePix S9000 Zoom are built as a closed unit, it eliminates the possibility of dust on the lens and CCD – a serious problem when removing lenses on a digital SLR.

A new tilting LCD screen on the camera means that it is possible to view images at awkward angles, such as close to the ground or above the head. Unlike digital SLRs, the LCD can also be used to compose images, which means even more convenience for the photographer.

In addition, the camera features a 30-frames-per-second movie mode with manual zoom capability, giving high quality moving images with sound – a function that cannot be integrated into traditional digital SLRs due to the physical design of the cameras.

With a 0.8 second start-up time, and just 0.01 second shutter lag, the FinePix S9000 Zoom will give users a near-instant response so that spontaneous shots and unexpected action need never be missed. The camera also incorporates RAW mode, for uncompressed and unprocessed image quality. A hotshoe attachment and PC sync terminal for external flash make it a camera that’s as happy in the studio as it is out and about.

FinePix S9000 Zoom features at a glance:

  • New Fujifilm Super CCD sensor with 9.0 million effective pixels
  • New 28-300mm (10.7x) Fujinon zoom lens with manual twist-barrel zoom control
  • Class-leading sensitivity setting of ISO 1600 for photography in low light conditions
  • Low sensitivity of ISO 80 for ultra-high quality photography
  • 1.8” tilting LCD screen for easy high and low angle shooting
  • Ultra-fast response times (0.01 second shutter lag and 0.8 second start-up)
  • Real-time histogram to assist exposure settings before shooting
  • Highlight Warning feature for displaying highlight areas in playback
  • VGA movie capture of 30 frames per second with zoom capability and sound
  • Closed unit design to eliminate dust accumulation on the CCD
  • Hotshoe and PC sync terminal
  • RAW format shooting for uncompressed and unprocessed images
  • xD-Picture Card™ providing large storage capacity, lower power consumption and fast write speeds (16MB to 1GB capacities currently available)

Adrian Clarke, Director of Photo Products, Fujifilm, said, “Enthusiast photographers are drawn towards digital SLRs because of the image quality they offer. Certainly, a digital SLR is the definitive tool for professional photographers wishing to take stills photography. However, as DSLRs are specialist cameras, they inevitably offer less flexibility when it comes to everyday photography. We’ve introduced the FinePix S9000 Zoom to add a credible alternative for consumers considering an entry-level DSLR.

“Photography enthusiasts will be delighted by the image quality produced by the new Fujifilm-designed sensor and the 10.7x zoom capability. Usually, with an optical range like this, you’d also be dealing with detachable lenses and the problem of dust, which is incredibly tricky to deal with. The FinePix S9000 Zoom’s closed unit eliminates this problem.

“At the same time, the camera offers a freedom of functions more usually associated with a compact digital camera, such as a tilting LCD screen that can be used to compose images, and a high quality movie mode. Our aim was to design a camera that gives the best of both worlds, and the S9000 Zoom truly delivers.”

Availability & pricing
The FinePix S9000 Zoom will be available from UK retailers in August 2005. Pricing will be announced nearer to the date of retail launch.*

Fujifilm FinePix S9000 Zoom specifications

Fujifilm FinePix S9000 Zoom

Sensor • 1/1.6" Type CCD
• 9.2 million pixels total
• 9.0 million effective pixels
Image sizes • 3488 x 2616
• 3696 x 2464 (3:2)
• 2592 x 1944
• 2048 x 1536
• 1600 x 1200
• 640 x 480
Movie clips • 640 x 480 @ 30 fps
• 320 x 240 @ 30 fps
• With monaural sound
File formats • Still: JPEG/RAW
• Movie: AVI Motion JPEG
Lens • 28 - 300 mm (35 mm equiv) 10.7x optical zoom
• F 2.8 - 4.9
Digital zoom Up to x
Focus • Auto
• Continuous
• Manual
AF area modes • TTL contrast type
• AF frame selection
• AF center
• AF multi
• AF area
AF assist lamp Yes
Focus distance • Normal: 50 cm to infinity (high speed shooting 2m to infinity) (W) 2m to infinity (in high-speed shooting mode 4m to infinity) (T)
• Macro: 3 - 10 cm (W) 3 - 90 cm (T)
• Telemacro: 1 cm to 1 m
Metering • TTL 256-zone metering Multi
• Spot
• Average
ISO sensitivity • Auto
• ISO 80
• ISO 100
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
Exposure compensation • +/- 2EV
• 1/3 steps
Shutter speed 30 - 1/4000 th sec
Aperture F 2.8 - 11
Modes • Aperture priority
• Shutter priority
• Manual
Scene modes • Auto
• Anti blur
• Natural light
• Night
• Portrait
• Landscape
White balance • Auto
• Fine
• Shade
• Fluorescent (daylight)
• Fluorescent (warm white)
• Fluorescent (cool white)
• Incandescent/Custom (x2)
Self timer 2 or 10 secs
Continuous shooting Yes
Image parameters B/W, Chrome, Standard
Flash • Built-in pop-up
• Mode: Auto, Red-eye Reduction, Forced Flash, Suppressed Flash, Slow Synchro., Red-eye Reduction + Slow Synchro
• Range: 30cm – 5.6m (W) 60cm – 3m (T)
• Hotshoe or synchronizing terminal
Viewfinder • EVF
• 235,000 pixels
LCD monitor • 1.8" TFT LCD
• 118,000 pixels
Connectivity • USB 2.0
• AV out
• DC in
Print compliance • PictBridge
• DPOF
Storage • xD-Picture Card and CompactFlash/Microdrive
• 16 MB card supplied
Power • 4x AA battery alkalkine or NiMH
• Charger optional
Weight (no batt) 645 g (22..8 oz)
Dimensions 128 x 93 x 129 mm (5 x 3.6 x 5 in)

Additional images

Fujifilm FinePix S9000 Zoom Fujifilm FinePix S9000 Zoom
Fujifilm FinePix S9000 Zoom Fujifilm FinePix S9000 Zoom
Fujifilm FinePix S9000 Zoom

 

 

8.4-Megapixel World’s First 16:9 CCD* with 28 mm Wide Angle** LEICA DC Lens Full Manual Compact DMC-LX1

Panasonic has today announced the world's first wide angle compact camera with a 16:9 ratio CCD. The fully manual Lumix DMC-LX1 offers a 8.6 megapixel 1 /1.65" CCD and is the first camera in the LUMIX 16:9 wide LX series. The aspect ratio is easily selectable between 3:2 and the conventional 4:3 by using a slider switch located on the lens barrel. As with all Panasonic cameras, the LX1 features two-mode MEGA OIS (Optical Image Stabilization) for its 4x optical Leica DC zoom lens. It also boasts a 28 - 112 mm focal length, Venus Engine II, five AF modes and a 16:9 wide VGA movie mode at 30 fps.

Update: We have a gallery of sample images from a pre-production camera online now.

Press Release:

8.4-Megapixel World’s First 16:9 CCD* with 28 mm Wide Angle** LEICA DC Lens Full Manual Compact DMC-LX1

Panasonic Lumix DMC-LX1

*As a CCD of digital still camera, as of July 7, 2005 **28 mm in 16:9 aspect ratio

Panasonic is launching a new LUMIX 16:9 wide LX series with the introduction of the DMC-LX1, 8.4-Megapixel 4x optical zoom (equivalent to 28 mm to 112 mm on a 35mm film camera) full manual compact camera. This creative compact incorporates a 8.4-Megapixel CCD and a high resolution 2.5-inch LCD in its undersized body. The aspect ratio is easily selectable between 16:9 wide, 3:2 and conventional 4:3 with a switch located on the lens barrel to shoot in the framing aspect that best suits the subjects’ composition or image’s purpose of use.

The lens unit is comprised of 4x optical zoom LEICA DC VARIO-ELMARIT Lens and renders superb picture quality. Like other LUMIX cameras, what distinguishes the DMC-LX1 from the rest is MEGA O.I.S. (Optical Image Stabilizer), a key feature Panasonic considers should be standard in all digital still cameras. Unintentional handshake, the major cause of digital camera mis-shooting, is controlled by MEGA O.I.S. to allow every user to take clear, beautiful images even indoors or at nighttime. The newly incorporated Extra Optical Zoom extends the zoom ratio by using the center part of the high resolution CCD to achieve 5x for 5.5-Megapixel 16:9 image recording with minimal deterioration.

Extensive manual controls including manual focus and manual exposure can be smoothly operated with a joystick incorporated along with an omni directional cursor. Just pressing and holding the joystick shortcuts to a setting menu containing the frequently used white balance adjustment, ISO setting, image size setting and compression format.

Taking advantage of these outstanding features, the LX1 incorporates the high speed, high quality image processing LSI, the Venus Engine II. It boasts quick responsiveness that realizes the best-in-class level release time lag of 0.01 sec. For the AF, five AF modes are available; 9-point, 3-point high speed, 1-point high speed, 1-point normal speed and spot. The 1-point high speed AF boasts predominantly fast AF for stress-free focusing.

In addition, the DMC-LX1 is the first digital still camera that can record moving images at 848 x 480 16:9 Wide VGA, as smooth as 30 fps.

With a volley of features providing both enhanced image quality and responsiveness, the DMC-LX1 is an advanced compact offering elaborate manual controllability while being accommodating to entry-level users through a variety of scene modes and auto setting functions. Panasonic dares to introduce this artistic instrument suited to users at all levels who enjoy creative shooting.

1. 8.4-Megapixel 16:9 aspect CCD and 28mm wide 4x optical zoom LEICA DC Lens

The DMC-LX1 features the 8.4-Megapixel Industry’s first* 16:9 aspect CCD and 4x optical zoom 28mm wide angle** (equivalent to 28 mm to 112 mm on a 35 mm film camera) LEICA DC VARIO-ELMARIT lens. Incorporating three aspherical lenses provides high optical performance while preserving the compactness of the unit. The aspect ratio can be easily selected between 16:9 or 3:2 in addition to the conventional 4:3 with a switch on the lens barrel on a shot-by-shot-basis to best suit the composition of the image. Even after shooting, the 16:9 ratio can be converted to 3:2 or 4:3 with the camera according to your purpose of use.
The extra optical zoom, made possible by using the center part of 8.4-megapixel high resolution CCD, further extends the zoom ratio to 5x for 5.5-Megapixel image recording in 16:9 aspect with minimal deterioration.

* As a CCD of digital still camera, as of July 7, 2005.
** In 16:9 aspect ratio.

2. Image stabilizing technology MEGA O.I.S.(Optical Image Stabilizer) and high speed high quality image processing LSI Venus Engine II
MEGA O.I.S.(Optical Image Stabilizer), that Panasonic thinks it indispensable for all digital cameras, especially for compact models that lacks stability, is subsumed under LUMIX all line-up released in this year. Every slight hand-shake movement is detected accurately with the sampling frequency at 4,000 times per second and will be compensated to render clear, sharp images.
MEGA O.I.S. is equipped with 2 selectable modes. In “Mode 1”, the O.I.S. lens continuously compensates for vibration and in “Mode 2”, the O.I.S. lens suppresses hand-shake only at the moment the shutter button is pressed. In this mode, the lens can move in all directions at the moment to maximize its effect, and higher-resolution image can be taken by capturing the image as close as to the center of the lens. In consequence, since MEGA O.I.S. enables a beautiful picture shot without blurring at slower shutter speeds of more than three steps compared to the conventional models without O.I.S., you can enjoy shooting clear and beautiful pictures easily even in the situations using slow shutter speeds, like indoor shots for portraits and nighttime scenery for illuminated object, as well as in shootings using zoom or macro mode.

For the brain of the camera, high-speed high-quality image processing LSI Venus Engine II is incorporated to render clear images in detail, compensating for the color aberration at the edges subject to occur. It also compensates for vignetting and generates bright image in every detail. This engine boasts its high performance resulting in the industry leading level in class release time lag of 0.01 sec for achieving more stress-free operation.
*Not including the time for AF.

3. Joystick-operated intuitive manual control
The DMC-LX1 offers manual focus and manual exposure, and both are adjustable with a joystick independent of an omni directional cursor. A switch on the side of the lens barrel lets you quickly change the focus mode between MF, AF or Macro AF. When you focus in the Manual Focus mode, not only the focus distance but also the DOF (depth of field) according to the zoom range and aperture is displayed. An MF assist function enlarges the center of the image to make focusing easier. Both features contribute to easy and comfortable manual focus.

A joystick was incorporated to facilitate operational ease and thereby get the best technical advantage of the multitude of functions offered by the camera. You can quickly shortcut to frequently used variables containing white balance adjustment, ISO setting, image size setting and compression format just by pressing and holding down the joystick, even while monitoring a subject on the LCD.

Shutter speed extends up to 60 sec at slowest in Manual Exposure mode and adjustable from 1/2000 to 60 sec for wider ranging shooting opportunities. Noise reduction is available for images taken at slow shutter speed.

The AF/AE lock button supports free framing while keeping the focus locked or fixes the same exposure setting regardless of the color of a subject for taking multiple shots.

4. Crystal-clear, large 2.5” LCD monitor
The 2.5” large LCD is excellent not only in size but also in the resolution, which is as high as 207 k pixels. The advantage is apparent when you check the focus during or after shooting, or when you display images even in tiny thumbnail size, across which you can move an omni-directional cursor to select. They can be played back in 9, 16 and 25 on multi-split screen in addition to the normal 1 frame playback thanks to the large high resolution LCD. This helps you to search for the image you want out of a number stored on the SD Memory Card, even if the images are in bulk. Furthermore, you can virtually checkmark your favorite images and keep them selected apart from the others to make a special slideshow with them only, or make concurrent deletion of the non-checkmarked ones if you do not need them anymore. Thanks to this feature, the LX1 can serve not just as a tool of shooting images but also as a digital album, to enjoy the seeing and showing of your favorite pictures.

To offer a clear view even in sunny outdoor conditions, the Power LCD function increases brightness by 140% just by pressing an independent button.

5. Excellent responsiveness, smart control and quick AF
The DMC-LX1 incorporates high performance image processing LSI the Venus Engine II in both speed and image quality. Thanks to the multi-task image processing, response has also been accelerated, resulting in the best-in-class level release time lag of 0.01 sec achieving more stress-free operation. For the burst shooting mode, it also boasts high consecutive shooting performance, providing shooting at 3 frames/second at 8.4-Megapixel full resolution. This function can be instantly activated with the independent button*. Unlimited Consecutive Shooting function** allows limit-free consecutive shooting up to the capacity of the SD memory card.
An AF method can be selected according to the shooting situation: 9-point, 3-point high-speed, 1-point high-speed, 1-point normal-speed and Spot. The 1 point high-speed AF, initially incorporated in the high zoom line DMC-FZ5, dramatically reduces the AF time to realize stress-free operation. Although screen-freeze in high-speed AF is now minimized, if you take the picture of subject with fast movement, you can select 1 point normal-speed AF which does not have any screen-freeze while focusing.

* The button also performs as “DELETE” in playback mode.
** The speed of the unlimited consecutive shooting varies depending on the SD Memory Card.

6. Industry’s first 16:9 aspect Wide VGA moving image recording*
In addition to the conventional 4:3 VGA moving image recording, the LX1 can record moving images even in the 848 x 480 16:9 Wide VGA format at 30 fps, making the most of the industry’s first 16:9 CCD. Shooting is one thing but viewing is another, and you will be suitably impressed by the 16:9 moving image when it is displayed on a wide screen TV.
* As a digital still camera, as of July 7, 2005.

7. Easier and more comfortable operation
Along with the joy stick and omni-directional cursor, a dial-operated mode shift also improves the camera’s controllability. The mode dial allows quick, direct switching between various shooting modes, moving picture mode and playback mode. In addition to the conventional ProgramAE, the LX1 is equipped with Auto mode, which caters for the entry level users. A total of 14 scene modes including Baby, Soft Skin, Food, Starry Sky and Candle helps you to take beautiful images easily in wide-ranging situations. Still it is easy to select the one out of them thanks to the Scene Mode Help Screen that shows the description of each mode and the knack for shooting of each scene and helps users to take beautiful image easily.

The LUMIX DMC-LX1 is like no other compact camera, enabling both high-end amateurs and entry-level users to explore the creativeness that surely enhances the joy of shooting.

 

 


 

 

 

Nikon D70s + 18-70mm lens

€ 1099,-

 

De Beste KEUS volgens ons panel

Nikon D70s + 18-70mm lens

De Nikon D70s is de opvolger van de met een DIWA Gouden Award onderscheiden D70. Met de D70s brengt Nikon een digitale SLR op de markt waarbij professionele kwaliteit en prestatie voor iedereen binnen handbereik ligt. De D70s maakt gebruik van dezelfde sensor als de D70 dus u bent gegarandeerd van een fantastische kwaliteit.

Prestaties

De Nikon D70s is klaar voor gebruik op het moment dat u het toestel aanzet met een opstarttijd van 0.2 seconden. Het 5-area autofocus systeem is nog sneller en nauwkeuriger dan op de D70 en heeft een AF-assist illuminator waardoor u ook perfecte foto's kunt maken in donkere omstandigheden. De 6.1 megapixel effectieve sensor van Nikon DX formaat geeft een maximale grootte van afbeeldingen van 3008 x 2000 pixels met ongelofelijk hoog detail en helderheid.

Kenmerken
De capaciteit van de  oplaadbare Lithium Ion batterij EN-EL3a is nog verhoogd zodat u nog meer afbeeldingen, nu tot 2500, kunt schieten zonder op te laden. Ook de camera zelf is gemaakt voor mensen die alleen maar het beste willen. De controle mogelijkheden zitten op de juiste manier op de camera zodat u zich geheel kunt concentreren op de instellingen van de camera zelf.  De D70s heeft nu een 2.0 inch scherm meegekregen i.p.v. het 1.8 inch scherm van de D70. Nieuw is ook de mogelijk voor een draad afstandbediening die niet op de D70 aangesloten kon worden.

Nikkor 18-70mm f3.5-4.5G ED-IF AF-S DX Zoom
De Nikon D70s heeft een D lens mount, waardoor er een grote range van objectieven geschikt is voor deze camera. Dit zijn zowel de lensen van Nikon als van derden. Nikon heeft de DX lenzen-serie speciaal ontworpen om te werken met de digitale SLR's zoals de D70. De Nikkor AF-S DX 18- 70 mm wordt gezien als de perfecte lens voor de D70s, met een 3,8 x zoom met een view van ongeveer equivalent to 27 to 105 mm.

 

 

 
 

 

 

Kleurtemperatuur - Kelvin

 

 

 

 

 

Monitoren zijn vaak ingesteld op een kleurtemperatuur van 9300 graden Kelvin, voor normaal werk is dit prima, maar voor het werken met foto's is deze instelling te blauw van kleur

Voor een meer natuurlijke weergave dient de monitor ingesteld te worden op 6300 graden Kelvin, dit is de kleur van het daglicht.

Kijk in de handleiding van uw monitor hoe deze instelling aan te passen is, zoek naar kleurtemperatuur of Kelvin.

Het kan even duren voordat uw ogen aan de warmere tinten gewend zijn, maar na een tijdje wilt u niet anders meer.

 

 

 

 

 

 

 

 

 

Digtal camera review sites

 

Deze pagina is verder in het Engels, omdat deze links naar Engelstalige sites wijzen.

dcviews

 

Great startingpoint for digtal cameras

 

dpreview

 

The best review site ever

 

steves-digicams

 

Great site for a second opinion

 

 

megapixel.net

 

Short but useful tests

 

imaging-resource

 

Compare images, cameras - Great reviews

 

 

 

 

 

 

 

 

 

 

 

Courses/tutorials/lessons

 

 

 

 

shortcourses

 

A very basic course

 

 

norman koren

 

A buch of tutotials here, and lot's more

 

 

luminous-landscape

 

Don't miss this site, a lot of info here

 

 

 

 

 

 

 

 

 

 

 

 

Misc

 

 

 

 

 

 

StrobeVolts

 

Check if you can use your old flash

 

 

dpfwiw.com

 

All about filters

 

 

micro-tools.com

 

Minolta parts manuals

 

 

nightskyevents

 

Repair of function wheel Nikon 950+

 

 

quickgamma

 

Nifty little program to check your monitor

http://www.creativepro.com/front/home - een aanrader

http://www.normankoren.com/sitemap.html stel je monitor hier beter af

 

 
Digital video editen en op DVD branden, plezier of een ramp?

DV-IN voor Digital8 Camera

WAARSCHUWING! Als u naar aanleiding van deze pagina gaat proberen
om de DV-IN op uw camera vrij te schakelen, doet u dit geheel
voor eigen risico! Ik ben dus niet aansprakelijk voor eventuele
schade of iets dergelijks aan uw camera of PC!!

Waarom DV-IN?

Bij een groot aantal Digital8 camera's is DV-IN niet aanwezig
als u hem zo in de winkel koopt. Vaak is alleen de DV-OUT
aanwezig. Hiermee kunt u dan de opgenomen beelden digitaal
overzetten op de computer om ze vervolgens te bewerken en op
een cd te branden. Maar wat als u de beelden nu weer op de
videoband wilt terugzetten? Dat kan natuurlijk als u een
videokaart heeft met TV-OUT, of een beeldbewerkingskaart met
een soortgelijke uitgang. Een groot nadeel is dat je de
beelden dan alleen direct naar de videorecorder over kunt
zetten en niet naar de camera. Ook treedt er bij deze analoge
verbinding met de videorecorder kwaliteitsverlies op. Het
mooiste zou natuurlijk zijn dat u nu diezelfde DV-OUT ook kunt
gebruiken om de beelden weer digitaal, zonder kwaliteitsverlies,
op tape terug te zetten! Daarvoor moet de camera dus zijn
voorzien van een DV-IN aansluiting. Wat men vaak niet weet, is
dat de meeste camera's wel degelijk over DV-IN beschikken, maar
dat dit gewoon door de fabrikant is uitgeschakeld in de
software van de camera! Nu is het aan ons om, indien we dat
willen, die mogelijkheid weer te aktiveren. Daarvoor zullen we
dus de software van de camera aan moeten passen. Dit klinkt
ingewikkeld, maar het is minder moeilijk dan je denkt. 

Wat heb je nodig

De DV-IN functie van je camera aktiveren kan op verschillende
manieren. Allereerst zou je bijvoorbeeld een zogenaamde widget
aan kunnen schaffen. Deze apparaatjes worden her en der op
internet te koop aangeboden. Dit schijnt de meest veilige
methode te zijn om de DV-IN te aktiveren. Een andere (veel
goedkopere) manier is om zelf een simpel kabeltje in elkaar te
solderen wat de camera via de Lanc aansluiting met de LPT-poort
van de PC verbindt. Over deze laatste mogelijkheid ga ik het
hier hebben, maar dan speciaal voor de 2e en 3e generatie
camcorders van Sony! Voor andere types en merken verwijs ik je
naar het Dutch DV-IN Webboard.
Allereerst soldeer je het kabeltje in elkaar volgens het schema
wat je kunt vinden op de Franse DV-IN pagina of op de pagina
van Mijo K., S51KQ. Dan ga je de volgende software downloaden:
RM95.ZIP (voor het maken van een memorydump van de camera).
DVIN_LITE.ZIP (voor het permanent aktiveren van DV-IN).
Eventueel zou je in plaats van DVIN_LITE.ZIP de file
DVIND8SE.ZIP kunnen downloaden om de camera niet permanent,
maar slechts tijdelijk van DV-IN te voorzien. Op deze pagina